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The sights, Sounds and stories of my African trip |
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The track which I have attached starts with the xylophone, then the
harp, then the flute, then tube fiddle, then the drums and shakers,
then the vocals.
Pretty soon I'll be putting the whole album on the web for sale,
it's called "Mama Africa."
I am so blessed with my African connection and have never felt so
fulfilled. Every trip I take there, I am just amazed at the people and
am shown over and over h
While I was visiting Africa I met Daniel Sseteba who has Roots Afrika ........By the way, Daniel gave me these shoes you see on th far right. They're stunning and quite unique.
Kasangati Kids
I was on my way back from Kasangati, walking up this trail to the taxi stance. When walking in such a place, the children are always intrigued to see a Mzungu ( a white face) and often will call out "Jambo" (hello) or just wave. I love it sooo much. These Ugandan children are just so beautiful. When you smile back they are so happy. So, there I was just walking up the trail with Katoora Frank and my lovely daughter Karigirwa. Before I knew it, a group of children were actually following me, so I asked Frank to take a photo. I wish I had a video of what ensued because, after he took this photo, I got my camera back, turned it around, and showed them the picture. They all squealed out loud and ran away ! ! !
They were both
delighted and scared at the same time. What a beautiful memory. One I'll
always treasure.
My first encounter with Africa was back in 1996 when a group called Children of
Uganda - Tour of Light came into my life. Then, when we were all facing
the terror of Y2K (remember that?) I took my first trip to Uganda and landed in
Kampala on New Year's eve 1999 just as we were about to enter the new
millennium. This was the most profound trip of my life where I got to know
the happiest most joyous children I've ever encountered. It was truly a
life-changing experiencing and still fills me with emotion when I think about
it.
Wednesday 15th December 2004
After a long journey in which we took two separate “taxis” (actually a Hiace
minibus in which about 15 people are squeezed like sardines, I arrived at
Ronald’s place which was in a fairly quiet neighbourhood. In my backpack, I had
a video recorder, a Mini Disc Recorder, Stereo mic and small mic boom stand. I
could hear some music (mainly acoustic guitar and singing) from an adjoining
house which had two rooms. I got set up in one which was 12’ x 12’. In this tiny
room, there were two African drums, one large wooden xylophone, African harp,
tube fiddle, flute, trumpet, two acoustic guitars, two keyboards, four singers
and, settled smack in the middle.........me!
We got started
recording at 11am and managed to print four songs before the power went off.
That’s quite typical in and around Kampala, so although they were all
disappointed, this wasn’t a big shock for the musicians. It was for me as I had
only allocated this one day for recording and I wasn’t really very happy about
having to come back and forfeit another day of my valuable time which had
already been gobbled up.
Friday 17th December
The previous night, there had been a second incredible thunderstorm. Rain was
absolutely pelting down and I awoke to the sound of this deluge dreading the
long journey out to Ronald’s as we’d likely had to trek over some seriously
muddy terrain. It was still raining pretty heavily when we had breakfast but,
yet again (just like on
the day I was to videotape Roots
Afrika when the rain stopped impeccably just before we set off)
our faith was
rewarded. The rain stopped just before we were due to leave and the sky slowly
cleared up. Got to Ronald’s at around 9:40 but he was “on his way.” This is so
typical. In Africa, you just have to accept that everything goes at its own
pace. If you can’t accept this, be prepared for much frustration. On Wednesday,
we had recorded four songs in two and a half hours and now, with 10am fast
approaching, we had barely 3 hours max to record the remaining seven songs.
Sandra and I had tickets for a show at Kampala National Theatre which started at
2:30pm and the latest we could leave Ronald’s would be 1pm to get there on time.
I honestly didn’t think we’d make it. It’s tough to get musicians to compromise
and be happy with a take. They’ll go on and on and on forever to try and achieve
perfection. But Ronald had confidence in the takes and, only if really
necessary, would he ask to listen to playback. This made all the difference and
we actually got through believe it or not, at 12:30pm with some “wiggle room.”
The whole group broke into the “Thank you” song. They sang it over and over
and it just seemed to go on and on. What a grrrreat experience!
The whole album was
recorded with one stereo mic direct to Mini Disc with no fancy preamp, no
outboard eq, absolutely no multi-tracking or comping. In post production, I
added some eq and light reverb for mastering. I edited maybe two alternate
endings and that was it. What you hear on this album is pretty much what was
recorded with some very minor tweaking. I had stressed ahead of time that the
group should “mix themselves” and I would move my position from song to song to
balance the mix.
If I had been aquainted with
the songs ahead of time, there’s no doubt that I would have been able to do a
better job of capturing the vocals more clearly. As it was, I was hearing these
songs for the first time and had no idea who would be doing what. The lead
vocalist was usually playing an instrument whilst singing, so everything was
pretty much a compromise but I think, all in all, this is an album that has much
life and soul and spirit. Some of the songs positively leap out at you and are
quite infectious.
The whole time I was there, I was the only "Mzungu"
(that's what a white person is called)
who I ever saw in a regular taxi. They manage to squeeze 15 people in
one of these and I tell you it's a very tight fit. And, of course no
air conditioning! So, it's very hot and sweaty plus all the unbelievable
pollution. All the Mzungus
travelled in a "special taxi". That's the kind which we westerners know as a
taxi. This made me feel so much more African and I really got a real taste
of Ugandan life, especially with Sandra as my guide. We visited places that
I can't imagine the average tourist would ever go.
And, if you wanted some personal transportation, you could take a "Boda Boda".
I'm quite sure the average tourist could afford this mode of transport, but
I'd be a bit hesitant myself : )
Video on the Web Do you have a treasured video you'd love to share with the whole world? Have it converted and uploaded to a web page just like this.
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Training Tapes |
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Web Audio |